Lars Cleveman
”This may well be the most important Swedish record of 2009” - (Jonas Almqvist, The Leather Nun)
Lars Cleveman, one of the most renowned opera singers – in Sweden as well as internationally – also boasts a long legacy as a rock artist, as a solo performer and as one of the founding members of the absurdistic, nihilistic post-punk band Dom Dummaste (The Dum Dum Boys).
On ”Voices In My Head”, Cleveman's third solo album as a rock artist, he is backed by The Plastic Pals, a New York-rock/power pop band from Stockholm. On a couple of tracks Cleveman once again collaborates with his long-time partner from Dom Dummaste, Martin Rössel. The album is produced by Björn Öqvist (Pennebaker/Spaceage Baby Jane) and is released by Polythene Records (distribution: Plugged).
www.plugged.se
http://polythenerecords.se/
www.myspace.com/polythenerecords
Last Man Standing
Where did it all go so wrong for Max Vanderwolf? When did he lose his faith in love and goodwill? Why did he give it away so callously or cas-ually? And what did he trade it in for? Some songs? Some words? Some memories of a vaguely good time that will haunt him for his remaining years?
Considering the 10 stunning tracks on "False Starts & Broken Promises" by his band Last Man Standing it may have been a fair trade. The songs are memorable, the lyrics powerful, and it sounds like he's stumbled down a colorful if crooked path.
Vanderwolf felt this darkness grow inside of him. And after several attempts at recording a new album, the New York-based songwriter gave up and slipped in and out of various forms of self-abuse. Various demo tapes circulated through the music community and they became well-known amongst the community of underground song-writers.
Thrusting himself back into a world of despair and obsessed with artistic endeavour Vanderwolf finds himself in rehab. In an attempt to maintain normalcy, he joins a rehab book club where he is immediately discovered by guitarist and former-pill popper, Chris Cordoba who has himself experienced the verisimilitudes of the music business:
"His demo tapes were widely known to the few in the know that knew. They were the stuff of legend – well, sub-legend--or probably sub-sub legend. After a discussion on that weeks reading, Evelyn Waugh, I think it was, I asked him point blank: Can I produce your next recording? He agreed immediately without knowing a thing about me. We dropped out of rehab that week and started on the record."
Soon the band was playing gigs to enthusiastic audiences. A regular fixture at The Lost Vagueness burlesque parties in London, the band was invited to perform at the Paradiso in Holland for the ‘’London Calling Festival’’, support slots with the Polyphonic Spree, Mercury Rev and Circulus, a weekly residency at Madame Jojo's and festivals including V Festival, Lovebox Festival, Secret Garden Festival and Electric Picnic Festival in Dublin.
"Now I'm in deep again," says Vanderwolf. "And I'm losing my mind - everything must go. Sacrifice it all. Damn the torpedoes. March, soldier. I can almost taste victory. Or is that nerve gas?"
Recorded against great odds, under great constraints and with great ambition, "False Starts & Broken Promises", is the soundtrack to someone's downfall - hopefully not Vanderwolf's.
"False Starts & Broken Promises" available here.
www.myspace.com/lastmanstandinggroup
www.wildflowerrecords.com
The Loose Acoustic Trio
The Loose Acoustic Trio is an American original. Since the turn of the 21st century, they have deftly blended Folk, Cajun, Old-Time Country, Blues, Jug Band, and Ragtime music to create an appealing sound they call “Good Time Music.” The lyrics of the songs range from simply sublime to sublimely ridiculous, each wrapped up in an infectious rhythm that’s guaranteed to make you smile.
The combination of accordion, 6-string banjo, bedpandolin (a mandolin forged from a metal bedpan), upright string bass and three part vocal harmonies, sets them apart from any other musical group on the face of planet Earth. It’s a traditional roots style with a contemporary twist.
Their new CD, “Sorrow Be Gone”, contains 14 original songs, plus the hillbilly version of Peter Townshend’s “Pinball Wizard”. Available on Big Book Records, where you will also find the incomparable, I See Hawks In LA.
Laurie Jones
"The missing link between Dusty Springfield and the Rolling Stones"
With the release of her new self-titled album, Laurie Jones cements her status as a full-service singer-songwriter. Jones's third album is refreshingly genuine and musically to the point. Front and center is her remarkable voice and efficient songwriting ability.
"This new record comes from the music I really love", explains Jones. "I allowed my gospel and country influences to face off with my rock demons". In doing so Jones has created a work of "transgenre rock 'n' roll". As stated in a recent review, "Jones delivers what is arguably the best effort of her still-budding career".
Whether backed by her touring band or going solo, Laurie Jones crafts songs with strong melody and lyrics that are frank and relevant. The new single "Overrated" is a commentary of the waning condition of the music industry, as Jones finds herself straddling the grandeur of pop celebrity and the gutter of staying alive. Regardless, Laurie Jones soars way above the musical fray with style and power to spare.
www.myspace.com/lauriejonesband
Lightning Red
As a 3 year old, he'd sit directly in front of the saxophone sections of Count Basie, Jimmy Dorsey, Duke Ellington and all the other big bands playing the military base circuit that weaved through Fort Leonard Wood, Missouri.
Before finishing grade school, Lightning Red became a bandleader. After befriending Luther Allison and soaking up the sounds of Buddy Guy, Otis Rush, Mike Bloomfield, BB and Albert King in and around Chicago, Lightning Red began touring the Midwest and Canada.
In 1976 Austin became his home and touring base. While performing at the Armadillo World Headquarters during the latter 70s, Omar and the Howlers, WC Clark and "little" Charlie Sexton were brought onstage and introduced their music to the community. Lightning Red soaked up the music of The Fabulous Thunderbirds (Jimmie Vaughan, Kim Wilson) at Antone's and met a struggling "Little" Stevie Ray Vaughan.
He has toured Scandinavia and Great Britain repeatedly, with two consecutive appearances at The Great R&B Festival in Colne, England.
Special guest performer at the Whangarei Jazz and Blues Festival, Lightning Red’s concert appearances also includes Wellington, Auckland and Christchurch, New Zealand as well as Sydney and Perth, Australia.
His most recent concerts have been in an acoustic duo format with singer extraordinaire LZ Love, as well as Texas performances with his hot electric band to support the rave new CD ‘The Groovemaster’.
Europe beckons and International reviews and airplay should take Lightning Red around the world once again.
www.lightningred.com
www.myspace.com/lightningred
Lisa O’Kane
When Joni Mitchell sang, "I've looked at life from both sides now," she could have been singing about Lisa O'Kane. A mountain girl all grown up and thriving in the city, a dedicated single mom with an exploding international recording career, a world-class vocalist and a singer/songwriter of uncommon depth and integrity, O'Kane shares Mitchell's knack for squeezing every drop of emotion out of every song she writes and anything she sings. After two critically acclaimed releases, three triumphant tours of Europe and five U.K. tours, the Los Angeles-based artist will launch her new CD ‘IT DON’T HURT’ on New Light 
Entertainment/Universal. The project, which will captivate audiences at home as well as abroad, delivers songs that illuminate the many sides of a multi-dimensional artist whose time has come.
"I'm excited about this record," O'Kane says. "I've really grown as a songwriter and as an artist. This album is very personal … it reflects the many changes in my life over the past two years. I feel so blessed to be with New Light Entertainment as I start the next chapter of my musical journey.”
With every song on ‘IT DON’T HURT’, Lisa effortlessly reconciles those disparate influences and carves out her own stylistic corner of the Americana genre in the process. Roots-driven, self-penned songs like rollicking album-opener "Ain't Done Nothin'" (featuring some hot fretwork from Telecaster deity Albert Lee) and the bluesy "Pay For My Sins" sound right at home next to the full-on, soaring balladry of songs like "Give Me This Night" and "Remember This." Every track was carefully chosen to reflect the events going on in O'Kane's life.
“It took me months and hundreds of songs to finally pare down to these 11 songs, three of which are mine.”
One album highlight, "Give Me This Night," was an unsolicited pitch from an unexpected source. "The songwriters are Ken Hirsch and Rosie Casey. Ken has had cuts from Ray Charles, Barbra Streisand, Dolly Parton, people like that," O'Kane says "I Googled him and I'm thinking, 'He's got cuts with all these famous people. Why is he pitching this song to me?' So I called him up, and he said, 'It's because I think you can do the job.”
O'Kane's recent signing with New Light Entertainment will put major distribution muscle behind ‘IT DON’T HURT’ through Universal Music Group and allow the artist to do what she does best – write, perform and record great songs. The creative team she assembled for the new album speaks volumes about O'Kane's musical sensibilities and her growing profile as an artist. Veteran keyboardist Skip Edwards (Dwight Yoakam, Lucinda Williams, Jim Lauderdale), Yoakam/Lucinda Williams bassist Taras Prodaniuk, Emmy Award-winning composer Ernest Troost, former Linda Ronstadt sidekick/Bryndle member Kenny Edwards, and the aformentioned Lee are just a few of the characters bringing Lisa’s real-life musical tales to life. Kenny Edwards, whose "Misery and Happiness" provides another of the album's high points, will be teaming up with O'Kane on tour. From the start, Lisa O'Kane has built her career the old-fashioned way, all by herself, one song, one gig, one radio station, one inspiration at a time. And it shows. Every song on ‘IT DON’T HURT’ reflects another side of the artist, another piece of her soul.
www.lisaokane.com
www.myspace.com/lisaokane
Little Green
“This Swedish quintet keeps the warm vocal candor of a singer-songwriter act (the group's original approach), but livens that up with the shiny fiddles and mountain pickin' of bluegrass. It's a hugely inviting mix that gives us all the campfire glow without the 'dueling banjos'."
Little green was formed by Thomas Pontén (mandolin, guitars and vocals) and Andreas Johannesson (Lead vocals and guitar) in Gothenborg. At first in more of a singer-songwriter-style but they gradually transformed into a country/bluegrass-act. Soon they felt the duoformat to be a bit limiting, and they brought in other musicians with Thomas and Andreas remaining as core members. Other members are Karl Wassholm (bass), Fred Sörensson (fiddle) and Johan Hjalmarsson (drums).
Little green gets their own sound through their wide range of influences and a fair amount of disrespect for tradition. The lyrics are usually quite dark and brooding, and reek with some ”Swedish melancholy”. The music however, is often stirring and catchy with simple but effective vocal harmony. Some of their influences are: Darrell Scott, Tim O´Brien, The Greencards, Nickel Creek, Dixie Chicks, Steve Earle and Neil Young.
The band have played a number of gigs, and has reached the finals in the swedish championships of country-music for two years straight. 2006 they participated in the alt country-genre and in 2007 in bluegrass. Little green is currently finalizing their album “Crossing lanes”. It will be released on the Rootsy-label in late 2008.
"Crossing Lanes" available here.
www.myspace.com/littlegreenswe
Liz Tormes
One of the most promising singer-songwriters performing in NYC's East Village right now, Liz Tormes began her music career playing rhythm guitar in the infamous Alphabet City Opry where she was recruited for her sense of time. Since then, she has written an impressive body of work and has performed at Mercury Lounge, The Knitting Factory, Sin-e, and The Living Room. Liz is a guest vocalist on the song "Two Steps", which she co-wrote, on the Columbia Records debut release from Ollabelle and her song "Happy" can be heard in Amos Kollecks's feature film "Bridget".
Growing up in Nashville, Liz spent her time listening to The Smiths and Echo & The Bunnymen while riding to the Grand Ole Opry with Bill Monroe and spending summer days at the house of Johnny Cash. The combination of those early influences and a musical diet of nothing but murder ballads & old time music while teaching herself to play guitar, appears to have had a lasting impact on Liz Tormes' music and lyrics. While the moody songs on her upcoming CD, Limelight, may retain echoes of the stark, honest realism of early roots music, the arrangements and instrumentation move boldly beyond that genre to incorporate quirky keyboard melodies amid washes of sparkly guitar which run beneath her sweetly haunting voice. The result is a dark, acoustic pop record filled with eerily familiar melancholy songs that seem to wander in the window as if from a distant radio and have been drawing comparisons to Sam Phillips, Neko Case and Nina Nastasia. Teddy Thompson & Ollabelle's Amy Helm appear as guest vocalists.
Liz has recently finished recording her first full length album, Limelight, which will be released later this year. Early interest from Ken Coomer (of Wilco & Uncle Tupelo fame) resulted in an EP of demos last year, but the upcoming album will be Liz's first national release.
Lo Kivikas
Lo Kivikas is a Stockholm, Sweden based singer/songwriter. She performs either solo accompanying herself on guitar or with her band delivering a tasteful mix of rock, country and folk music that has garnered international critical acclaim.
Her debut release, "Master of Your Mind" has been topping playlists in both the U.S. and Europe. For more details and to hear tracks from "Master of Your Mind" please visit Lo's myspace-page.
"Lo’s songwriting is kind of like if Fiona Apple got therapy and decided she liked what she saw in the mirror in the morning."
- Chistopher Coolidge - (Internet programmer, Guerilla Radio)
"Lo Kivikas is probably Stockholm’s best kept musical secret. With the passion of Patti Smith and the depth of Marianne Faithful , she arouses that "conscious punk" that resides inside of every human being."
- Darrin Mazzilli - (songwriter/music publisher - Angel Tongue Music)
Loco Zydeco
Loco Zydeco is a high energy, Canadian Zydeco band, based in Toronto, Ontario. Winning over enthusiastic fans with their original blend of contemporary and traditional Zydeco, they have created their own unique take on Louisiana's most exciting musical export, while their electrifying performances have solidified their reputation as one of Canada’s most entertaining Zydeco bands.
For the un-initiated, Zydeco is a lively and danceable accordion-based music, originating in south west Louisiana and east Texas. Characterized by the accordion and rubboard and backed mainly by guitar, bass and drums, Zydeco evolved by blending traditional Creole songs and melodies first with the blues, and later, with various forms of popular music such as r&b, soul, funk and even reggae. Loco Zydeco firmly embraces the roots and traditions of Zydeco music, while constantly looking for fresh new ways to leave their stamp on this exciting genre.
In September 2003, Loco Zydeco independently released their debut CD, “Yeah, You Right, Eh!” and in the fall of 2006, Kitchener, ON-based flamingcheese records released their 2nd album, “This Great White North, Eh!” which was called one of the most stimulating albums that has appeared in Zydeco. Both discs still enjoy airplay on commercial, community and public radio stations across Canada, the U.S. and as far away as The Seychelles.
Their third and newest album, “Time To Turn The Key,” was completed in August 2008 and was released in Canada by Flaming Cheese Records
late 2008, where it is starting to receive high rotation on radio stations and has already been included on top 20 playlists. Reviews in Canada and, so far, from two major Blues publications in the United States have been excellent, with “Time To Turn The Key” being called one of the best CD's, Zydeco based or otherwise, heard in quite a while.
Release in the US and Europe is slated for Spring 2009.
www.locozydeco.com
www.flamingcheese.ca
The Los Dos Bros
March 6, 2008, Dallas, TX, day two of Holiday and the Adventure Pop Collective‘s first U.S. tour (supporting Atlantic Records’ Louis XIV), HATAPCO’s new drummer goes AWOL in the middle of the night, quitting the tour without a word or note of explanation. The trio quickly became a duo facing a choice: quit the tour and go home, or continue without a drummer. The decision to continue took about four seconds, and their second decision took about four more seconds… to officially change their band name, once and for all, to The Los Dos Bros.
Despite outcries from The Flaming Lips’ Wayne Coyne, and from press reps, writers, radio personalities and booking agents around the world begging the band’s two front men, Derric Oliver (vocals, guitar, tuba, trumpet, piano) and Louis Caverly (vocals, fiddle, piano), to keep their 6-word, 35-letter, tongue-twister of a bleeping band name, those requests fell on deaf ears (damn musicians and their hearing!).
But fear not, friends! “Adventure Pop” is still the sound, and “Holiday” still their mindset; yet, after years of musicians in and out of their band, Oliver and Caverly felt that The Los Dos Bros (which they’ve used for production credits on their three studio albums) best reflects their long-standing musical collaboration.
The duo is set to release two new albums, Songs for Feeling Strong (EP), and Greek Gods in the West (CD + DVD ‘Live from the Henry Miller Library, Big Sur, CA’). Both were recorded in June, 2007 (as HATAPCO with drummer, Michael Taylor Hahn) at Al Jardine’s (Beach Boys) Red Barn Studios in Big Sur, CA.
“We wanted our next albums to reflect the spirit of the band’s time on the road,” explains Oliver, “so we threw a party for some of our closest friends and recorded the basic tracks.” Both albums were produced by The Los Dos Bros and mixed by Mark Needham (The Killers, Chris Isaak, Green Day, Fleetwood Mac).
Luke Jackson
In the Spring of 2006, a seven-year email correspondence culminated in the meeting of Luke Jackson and Magnus Börjeson. Luke had long been a devoted fan of two of the Swedish musician’s former bands: Beagle and Favorita, and the two songwriters finally met in Paris where Magnus was mid-tour playing in The Cardigans. By the end of the weekend they were like old friends and Luke had accepted an invitation to Sweden for the upcoming Midsummer long weekend holiday. These celebrations were taking place in the countryside outside Malmö at the Aerosol Grey Machine - the stunning all-analogue recording studio of Christoffer Lundquist, producer and multi-instrumentalist extraordinaire, former member of Roxette and founding member of Brainpool, another of Luke’s favourite bands.
The Midsummer weekend was a magical time filled with wonderful people, beautiful weather, great music, fantastic food and free-flowing booze of the highest quality. As Luke boarded his flight back to London in a Schnapps-induced fog, he considered the invitation to “come back and record any time”. It had been six years since the release of his self-produced second album “Momentum”, and Luke knew that the songs currently springing from his right hemisphere were the best he’d ever written.
“Why not make an album with my favourite musicians on the planet?” he mused.
And so Luke returned to Sweden in January 2008 and set to work in the studio with Magnus on bass and Christoffer’s Brainpool bandmate Jens Jansson on drums. The four musicians worked quickly and spontaneously to capture half a dozen songs, including “Come Tomorrow” which Luke had begun writing the day before leaving for Sweden. Luke returned to London buzzing with excitement. Not one to manifest small, he sent the rough mixes of the songs to renowned London-based string arranger Robert Kirby (Nick Drake, Elvis Costello, John Cale etc). To Luke’s delight and surprise, Kirby loved the songs and offered to write orchestrations for the album and accompany Luke to Sweden to conduct the necessary recording sessions with nine players from Malmö’s Opera Orchestra.
Luke had managed to bring together two of his most beloved musical worlds: the pop sensibilities of his friends in Sweden, and the distinctive eloquence of Robert Kirby’s string arrangements. It is the collision of these two worlds which makes “...And Then Some” so compelling. Densely layered guitars and vocal harmonies fuse with sweeping string lines, none of which ever draw the ear too far from what lies at the heart of Luke’s music...gorgeous, expressive, unpretentious songs born of the trials and tribulations of a life lived to the fullest.
"...And Then Some" also comes in an audiophile LP edition, half-speed mastered by the legendary Stan Ricker (Joe’s Garage, Brothers In Arms, and the mobile fidelity edition of Dark Side Of The Moon), pressed on 180-gram vinyl in a beautiful gatefold sleeve.
There is also a 45rpm 7” featuring "Come Tomorrow" b/w "A Little Voice" which comes with a hidden download and a DVD featuring the video for "Come Tomorrow" and studio footage of the sessions for "A Little Voice".
Check out Luke’s recording sessions videoblog at :
www.reverbnation.com/lukejackson
Luke Powers
Luke Powers was born in Chattanooga, TN. He is the second son of Barbara and John Powers. Luke attended the McCallie School graduating as valedictorian and was co-captain of the wrestling team. He received a Morehead Scholarship to the University of North Carolina at Chapel Hill. Unlike other scholars who went into fields such as medicine and law, he chose the more lucrative field of Folklore.
Luke then received a fellowship to attend Vanderbilt University, where he studied his hero William Blake, and began a band called "The Four Zoas" in Blake's honor (although there were rarely four members).
At a Zoas' gig Luke met Brian Ahern, legendary producer of Emmylou Harris, Johnny Cash and George Jones (among others). Ahern like Luke's songs and introduced him to Tommy Spurlock, producer/musician/steel-guitar wizard. Tommy had produced Rick Danko, David Olney and Chip Taylor — and played with groups including The Band, Leon Russell, Highway 101, The Derailers, Jim Lauderdale, The Deadstring Brothers, just to name a few.
But he had never worked with a university professor.
Even though they were an odd couple, Luke and Tommy hit it off immediately, Their first project was a set of Luke's songs sung by Sandy Madaris called 'Way Back Home' (2002). Mike Westerfield of Sisyphus Tracks noted its “well-written songs with decidedly anti-Nashville attitude”.
The “anti-Nashville” attitude wasn't totally deliberate. Luke had tried to write commercial music like his friend Marcus Hummon (writer of hits for the Dixie Chicks, Alabama, Rascal Flatts, and others). But somehow the “three chords and the truth” (to use the words of legendary songwriter Harlan Howard) evaded him.
First, he tended to use more than three chords. Tommy would object: “I'm not playing any more Beatles' chords!” And the truth, as Luke saw it, was never a capital “T” Truth.
Luke helped Tommy with the project 'Burrito Deluxe' (2004): Luke wrote songs with Mark Collie and Earl Bud Lee ("Friends In Low Places") and had the pleasure of working with the legendary Sneaky Pete Kleinow, steel guitar genius and co-founder of The Flying Burrito Brothers.
In 2005 Spurlock got riled up. He wanted to produce a protest album — Against the U.S. war in Iraq, George W. Bush and the decaying state of the nation in general: Americana music of an America gone horribly wrong. Luke had already written a number of protest songs for the cause and came up with the name: “Kakistocracy” (meaning government by the least honest or competent). The so-titled CD, released on Austin Records, featured an all-star band dubbed The Spicewood Seven featuring Luke and Tommy and including Jamie Oldaker (Eric Clapton, Leon Russell), Rosie Flores, Elana James (Hot Club of Cow Town), Brennen Leigh and Garth Hudson (of The Band).
Luke had gotten to know Garth Hudson through Tommy, and the college professor and the home-grown musicologist/musical genius became friends. They could talk about anything from the original Harmonicats to the numerous Jump Blues bands of the 1950s. Luke conjured Garth into recording on some his songs which became the ground work for 'Picture Book' (2007), Luke's debut CD on Phoebe Claire Records.
Garth brought a timeless Band-like swirl of sound to songs like “Knoxville Girl” and “Tommy's Going Home to Texas.” The latter song, written about Spurlock's decision to move from Nashville to Austin (and saying goodbye to a dream), brought a tear to Garth's eye during the late night/early morning session.
Luke admits, “It's the highest praise I could ever imagine”.
'Picture Book' brought Luke from complete to relative obscurity. One song “I Saw John Kennedy Today” re-imagines the assassination with an unlikely twist: Kennedy's double gets killed in Dallas, allowing the freewheeling ex-president to roam the country in a pickup truck. The song received world-wide airplay and over 20,000 mp3 downloads.
The song was covered by Ralston Bowles (produced by Gurf Morlix) and won Best Song in Michigan's “Jammie” Awards in February 2009.
“Cover Song (for Sgt Pepper),” based on the iconic Beatles' album, also proved a popular track on 'Picture Book'. Spencer Leigh of the BBC played the tune to commemorate the anniversary of the 'Pepper' LP.
Luke remarks with pride: “It's the only song I know written about an album cover—not the music itself”.
In late 2008 Luke decided to follow up his “personal” album with a more abstract concept with his CD 'Texasee', also released on Phoebe Claire Records. He told Tommy Spurlock that he wanted to make a record that crossed Hank Williams with American modernist poet Wallace Stevens.
“Wallace who?” Spurlock demanded.
'Texasee' evokes a mythic American landscape littered with the remains of love and violence—with a little Sam Peckinpah, the Coen Brothers and Cormac McCarthy thrown in for good measure. Since Spurlock had now relocated to Austin and Luke was in Nashville, the name was more than simple geography. The cross-country collaboration brought in Tommy's compadre Bradley Hartman, engineer for Emmylou Harris and Willie Nelson. Brad in turn brought vocalist Suzi Ragsdale (Guy Clark, Darrell Scott and daughter of Country Legend Ray Stevens) into the mix. Suzi did more than sing back-ups; she transformed the songs she sang on. Luke says, “She's the soul of the record”.
Also contributing were John Davis and Luke's brother Sam, both members of the power pop group Superdrag.
The album received high praise. Baron Lane of Twang Nation named it #5 in his top ten list for Americana albums released in the U.S. in 2008, and the album debuted at #15 on the FAR Americana Chart for November 2008.
http://texasee.com
www.phoebeclaire.com
www.myspace.com/lukepowers
Lars Cleveman
Last Man Standing
L.A. Trio
Laurie Jones
Lightning Red
Lisa O’Kane
Little Green
Liz Tormes
Lo Kivikas
Loco Zydeco
Los Dos Bros
Luke Jackson
Luke Powers
